CAST: Ajay Devgan, Ayesha Takia, Arshad Warsi, Irfan Khan
DIRECTION: Rohit Shetty
" SUNDAY " BOLLYWOOD MOVIE DOWNLOAD LINKS: ( PDVD-RIP )
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" SUNDAY " MOVIE SYNOPSIS:
A bright and bubbly dubbing artist (Ayesha Takia) leads a happy girl-next-door existence in saddi Delhi, until one night she decides to party late into the night. Now nothing wrong with partying and all that, including the scratch marks on her neck and the girl-boy brawl in the pub.
But bechari Ms Bubbly has a major problem. She's completely scatter-brained and seems to forget too many things, including the sequence of events on that particular Sunday when things got wild, a girl was murdered, a cabbie man (Arshad Warsi) was taken for a ride and a small time actor (Irfan Khan) decided to play Dracula. Add to this a tapori cop (Ajay Devgan) who can't decide whether the piquant Pixar-Disney girl is innocent or suspect and you have a kabhi bumpy-kabhi breezy ride through a hatke whodunnit.
But bechari Ms Bubbly has a major problem. She's completely scatter-brained and seems to forget too many things, including the sequence of events on that particular Sunday when things got wild, a girl was murdered, a cabbie man (Arshad Warsi) was taken for a ride and a small time actor (Irfan Khan) decided to play Dracula. Add to this a tapori cop (Ajay Devgan) who can't decide whether the piquant Pixar-Disney girl is innocent or suspect and you have a kabhi bumpy-kabhi breezy ride through a hatke whodunnit.
In the praise of Shahenshah Akbar comes the opening track 'Azeem-O-Shaan Shahenshah'. High on orchestra, the track has ‘grand’ written all over it and deserves an opulent treatment to it. Crooned by Mohammed Aslam, Bonnie Chakraborty and Chorus, the track hails Akbar for creating an empire where there is peace, harmony, and great life all around. The song doesn't belong to the kind which could be sung around or played loud at home but would do well when seen on the big screen, provided the picturisation is as lavish as Rahman's efforts.
Kashif written 'Khwaja Mere Khwaja' is a devotional track, which is strictly for Rahman fans. Rendered by Rahman himself, it has the kind of arrangements as heard in 'Kehna Hi Kya' [Bombay]. With minimal instruments in play, 'Khwaja Mere Khwaja' has its strength lying in it's lyrics but that too has minimal target audience due to the track's genre and setting. Overall, a situational piece that seems like an unlikely candidate to make much headway into current crop of audience. An 'Oboe Instrumental' piece for the same track comes at the album's end and yet again has the kind of treatment, which hardly promises a popular reach out.
On the lines of 'O Paalan Haari' [Lagaan] (genre wise) comes 'Mann Mohanaa’, which is yet, another devotional track after 'Khwaja Mere Khwaja'. This time around, it is Bela Shinde's turn to sing a number for Lord Krishna as the character of Jodha played by Aishwarya Rai turns over to God. Just like the rest of the album, this one too doesn't go any further than being ordinary and ends without creating any place in the heart (or the music collection) of the listener.
